The last decade from 2000 to 2009 is framed, at one finish, through the demanding disaster of the September 11 assaults at the international alternate heart and, on the different, through the election of the 1st African American president of the us. In among, the us and the realm witnessed the quick growth of recent media and the web, such common mess ups as storm Katrina, political uprisings all over the world, and a tremendous meltdown of worldwide economies.
Amid those crises and revolutions, American motion pictures answered in a number of methods, occasionally without delay reflecting those turbulent occasions, and occasionally ultimately couching historical past in conventional genres and tales.
In American Cinema of the 2000s, essays from ten best movie students study such renowned sequence because the groundbreaking Matrix motion pictures and the gripping adventures of former CIA covert operative Jason Bourne; new, offbeat movies like Juno; and the resurgence of documentaries like Michael Moore’s Fahrenheit 9/11. every one essay demonstrates the complicated ways that American tradition and American cinema are sure jointly in sophisticated and demanding methods.
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Extra resources for American Cinema of the 2000s: Themes and Variations
Timecode’s underlying narrative is rather banal. Priority has been given to technical innovation, to how the narrative is far more interesting than what it tells. But perhaps that is Figgis’s point—to demonstrate that content no longer matters in the new regime of cinema. Unlike Kurosawa’s Rashomon (1950), in which the same story told from multiple perspectives captivates the viewer, in Timecode it is the fact of multiple perspectives, and not the story, that is captivating. It is a self-reflexive narrative about a production company, Red Mullet, which happens also to be Timecode’s production company.
And like Beckert’s victims in M, Bateman’s are initially those from the lower classes. 1 The interesting twist in American Psycho comes near the end of the film when Bateman tries to confess his crimes to his lawyer. The possibility emerges for the first time in the film that the entire series of murders is his fantasy. Reality is increasingly difficult to discern in Bateman’s nightmarish world. Although he may not have literally committed his crimes, there is certainly a lot of symbolic blood on his hands.
A few romantic affairs and interpersonal tensions are thrown in to heighten the action. Set in Hollywood, the film is about filmmaking and the entertainment industry, a theme that will resurface in several other films of the year. Unlike late-nineteenth-century culture, which greatly anticipated the year 1900 (Sigmund Freud delayed the publication of The Interpretation of Dreams so that it would bear the imprint “1900”), in film culture the year does not appear to have been as significant. This is likely due to the fact that the centenary of cinema was commemorated a mere five years prior in 1995.