By Douglas Kellner, Stephen Prince
Through the Nineteen Eighties, American cinema underwent huge, immense modifications. Blockbusters like Raiders of the misplaced Ark, E.T., and The Empire moves again grabbed large sales for the studios. whilst, the expansion of domestic video resulted in new and inventive possibilities for self sufficient movie construction, leading to a number of the decade's top motion pictures. either huge- and small-scale filmmakers replied to the social, political, and cultural stipulations of the time. The two-term presidency of Ronald Reagan spawned a brand new chilly conflict with the Soviet Union, which Hollywood movie either embraced and critiqued. additionally in this time, Hollywood introduced a long-awaited cycle of flicks in regards to the Vietnam conflict, exploring its impression either at domestic and out of the country. yet technology fiction remained the era's most well liked style, starting from upbeat fantasies to darkish, dystopic visions. Bringing jointly unique essays by means of ten revered students within the box, American Cinema of the Eighties examines the movies that marked the last decade, together with usual humans, physique warmth, Blade Runner, Zelig, Platoon, best Gun, extraterrestrial beings, Blue Velvet, Robocop, deadly appeal, Die challenging, Batman, and intercourse, lies & videotape .
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Additional resources for American Cinema of the 1980s: Themes and Variations (Screen Decades: American Culture/American Cinema)
But, as I have suggested, these features constitute only part—albeit an extremely determinative part—of the picture. American ﬁlm remained vitally diverse in its aesthetic, stylistic, and ideological appeals and expansive enough to accommodate the emergence of important new talents. Indeed, at decade’s end, a new wave of African American ﬁlmmakers was about to emerge, of which Spike Lee was the ﬁrst prominent exemplar. In the next few years, ﬁlms by John Singleton, Matty Rich, Robert Townsend, and Allen and Albert Hughes would bring a new range of voices and issues to American cinema, a range that was simply unprecedented.
N OT E S 1. Scheider’s remarks are on his audio commentary on the DVD edition of the ﬁlm. 1980 Movies and the New Woman JOANNA E. RAPF A time “to imagine,” to groove on rock ’n’ roll and dream of a more utopian and egalitarian world, faded as the Reagan era dawned. On 8 December, a month after the former actor and governor of California was elected president, John Lennon was fatally shot outside his home at The Dakota apartment building in New York City. For millions of his mourning fans, it was as if the sixties had ended all over again.
7). Lynda Haas points out that even the typical mother in ﬁlms such as Snow White and the Seven Dwarfs (1937), Pinocchio (1940), or Cinderella (1950) “is absent, generously good, powerfully evil, or a silent other. . In this way, mothers are either sentimentalized or disdained; in either case, their identity and their work are simultaneously erased, naturalized, and devalued” (Bell et al. 196). Violet turns Disney topsy-turvy, transforming Snow White into a serenely deliberate murderer whose evil deed is cheerfully condoned by the Disney characters who watch it.