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Through the Nineteen Twenties, sound revolutionized the movie and cinema persevered as some of the most major and renowned different types of mass leisure on the earth. movie studios have been reworked into significant organizations, hiring a number of craftsmen and technicians together with cinematographers, editors, screenwriters, and set designers. The beginning of the big name method supported the meteoric upward push and megastar prestige of actors together with Charlie Chaplin, Mary Pickford, Joan Crawford, Greta Garbo, and Rudolph Valentino whereas black performers (relegated to "race films") seemed every now and then in mainstream videos. The vintage Hollywood movie sort was once perfected and important movie genres have been proven: the melodrama, western, historic epic, and romantic comedy, besides slapstick, technological know-how fiction, and fantasy.In ten unique essays, American Cinema of the Twenties examines the movie industry's endured development and prosperity whereas targeting very important topics of the period.

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Mason Harper’s Hungry Hearts (1922), Edward Sloman’s His People (1925), Sidney Olcott’s Salome of the Tenements (1925), and Frank Capra’s The Younger Generation (1929). While these works concentrated on Jews, they often portrayed other ethnic groups. In His People, the Jewish family’s best friends are their Irish neighbors across the courtyard; and in Phil Rosen’s Rose of the Tenements (1926), an Italian girl is adopted by an elderly Jewish couple. Clearly, such works were a countervailing force to the virulent antisemitism of the era, fueled by a series of articles in the Dearborn Independent (industrialist Henry Ford’s newspaper), later retitled The International Jew: The World’s Foremost Problem.

Once more, Douglas Fairbanks appears as a major star in The Thief of Bagdad, an exotic adventure (based on Arabian Nights) that gives him ample opportunity to show off his exuberant and “relentless motility” as he morphs from thief to prince. ” In Sunshine Limited, for example, they pretend to be engineers and design a train out of discarded parts, using a caged dog to assure its locomotion. Equally impish is the character of Felix the Cat, who appeared in cartoons created by animator Otto Messmer for Paramount.

The combined seating capacity of all American theaters was 18 million. About 100 million Americans attended the movies each week, close to the total population of the United States (Halsey 183). The income gleaned from these admissions came to some $750 million (Halsey 184). 5 billion, with the sector employing some 350,000 people (Halsey 172–73). Most studios produced some fifty films each year and supplied 90 percent of the world’s movies (Halsey 176, 179). As we know, from today’s perspective, though the American film industry was grand in the 1920s, it was still in its infancy.

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