By Jeff Foster
If you are within the enterprise of movement photos or computer electronic video construction, you recognize that Adobe's After results and Photoshop are of the main necessary content material production instruments. extra built-in than ever prior to, the world's number-one compositing and image-editing courses can be utilized in tandem to create caliber paintings at a comparatively low in cost. however it takes years of expertise to determine tips on how to get the main out of this awesome duo. With After results and Photoshop: Animation and construction results for DV and movie, pics guru Jeff Foster has created the 1st publication dedicated to displaying how one can use those courses jointly to provide animations and results at the computing device. This functional advisor focuses solely on innovations primary within the box in addition to state of the art creation methods. those hands-on initiatives will demystify cool Hollywood results and assist you clear up your day-by-day demanding situations. and they will motivate you to imagine extra artistically while imminent your creations.Inside, you will find professional recommendations for movement portraits and video construction, together with how to:Add intensity and realism on your animations by way of mimicking genuine movement; Use exaggerated pursuits to reinforce characterization; practice three-D animation to 2-D pictures; get rid of history fodder with blue-screen rubbish mattes; hire rotoscoping recommendations for frame-by-frame retouching; build lifelike composites and scene destinations utilizing matte portray concepts; Make videos from stills by means of simulating 3D digicam movement; make the most of viewpoint, pace, and scale to create plausible relocating items; Produce reasonable lighting tricks comparable to noise, clouds, and smoke; perform innovative movement titling results that seize people's awareness; enhance expert scene transitions utilizing 3-D layer animations; and masses more!"
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Additional info for After Effects and Photoshop: Animation and Production Effects for DV and Film
Use Luminance for both the Horizontal and Vertical displacements, and set the maximum pixel movement to 15 for both. Increase or decrease these numbers to control the amount of movement you wish to have in your animation. 16: Apply the displacement map pre comp layer to the image layer and adjust for the amount of displacement the map source image will affect. 17). Notice how the neutral gray toward the top of the image has less of the effect applied, aiding the illusion of depth in the scene. 17: A RAM Preview will allow you to test the amount of displacement and the speed of the motion effect.
Turn the Casts Shadows option on. 5. Move the Indicator in the Timeline down to the point where you see the movie reel at a perfect 90° angle. You will see how the movie reel slices right through the text layer. 5). 5: Make the movie text layer a 3-D layer and move it out of the rotating motion path of the film reel. 6. Up to this point, there isn't any real light source shining on the scene, so no shadows are visible yet. Create a spotlight for the scene by selecting Layer > New > Light. When the Light Settings dialog pops up, choose Spot as the Light Type and select the Casts Shadows check box.
Deselect and hide the penny, nickel, and dime layers. 5. 32). 32: Follow the settings to position the stacked coin layers on the background. 0° Now that you have the initial stacked coin layers in place, you can duplicate them and reposition them around the background. 33). All of your movements can be done in either the Left side view window or the X-and Y-axis settings of each layer on the Timeline. Be sure not to change the Z-axis settings, or your coin stacks may be cut off at the bottom or appear to float in the air above.