Download Adobe Photoshop CS: Photographers' Guide by David D. Busch PDF

By David D. Busch

Images and Photoshop pass hand in hand. when you believe there is not adequate images within the standard Photoshop booklet, and there is not adequate Photoshop within the normal images e-book, then the e-book you are looking for is true on your arms. no matter if you're a electronic or traditional digital camera buff, this full-color ebook is the fitting consultant for diving into an important parts of Photoshop CS. study Photoshop from a photographer's viewpoint and how one can fine-tune your photographs as you remodel them from speedy snapshots into actually compelling photos.

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As you might guess, none of these processes are very forgiving. Developing the film a few seconds too long, exposing it to a bit too much light during processing, raising the temperature of the developer a few degrees too much, or any of a dozen other "errors" can change the results you get dramatically. After you've tried out the effects that follow, you'll wish you had Photoshop's Undo features available for conventional film processing. Solarization Solarization is a process which, like the reticulation technique discussed in the next section, started out as a disastrous error that some photographers soon adopted as a creative technique.

55 56 All newer digital cameras produce, by default, JPEG files, which are the most efficient in terms of use of space. JPEG files can be stored at various quality levels, which depend on the amount of compression used. You can opt for tiny files that sacrifice detail or larger files that preserve most of the information in your original image. Many cameras can also save in TIFF format, which, although compressed, discards none of the information in the final image file. However, both JPEG and TIFF files are quite different from the original information captured by the camera.

Your best bet is to set the Amount and Radius sliders first, then experiment with Threshold to see if you like the results any better. 22 shows my baseball picture after I experimented with the Unsharp Mask filter to optimize the sharpness. The view is still not as good as a front row seat, but then, I didn't have to pay a lot for my tickets or tote around a mammoth telephoto lens, either. If nothing else, Photoshop helped me create a souvenir of an exciting game. 22. Photoshop simulated a long telephoto lens by sharpening this tightly cropped image.

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